Archive for the 'Social Media' Category

Who are my Twitter Followers?

Questions To Revisit
In my last post, I asked myself whether a network visualisation of my Facebook friends can actually reflect the social links in my analog life. I came to the conclusion that similar social groups can be found in my digital as well as in my physical world. The networks depicted different sociodemographic information, such as country of origin and the gender dispersion which might be comparable. However, Facebook cannot reflect my true social circles yet.

Twitter Metrics
In this post, I wanted to know who my Twitter Followers actually are and whether one can determine who is the most important follower. Maybe I should clarify “most important”. Obviously, there are different ways of determining who is “most important”. Depending on what data/criteria you are interested in, the most important Twitter follower could be the one with the highest number of followers he or she has because that is his/her potential audience (e.g. distribtion potential). That is not the only thing to look at, though. The most important twitter follower could also be determined by coming from a very specific region or country (e.g. as a source), speaking a specific langauge (e.g. as a target mediator) or the fact that he/she is a verified Twitter user (e.g. reliability, valid source, etc.). I could name a dozen more ways of defining who is important but let’s just stick to a few obvious factors. I took four different factors into consideration: Language, Country, Number of Followers and Location.

Twitter On A Map, Map, Map
The following data is anonymized but presents some interesting patterns I would like to discuss here. On this map you can see my own followers on Twitter and where they come from, according to their own specifications on Twitter. I scraped the information via the Twitter API. Once you click on one of the icons, you will find the information I was looking for (Language, Country, Number of Followers and Location). If the icon is green, the follower has less than 500 followers, yellow icons mean the followers have between 500 and 1000 followers and red followers represent Twitter users with more than 1000 followers each.

Looking at the data, this first factor – number of followers – could be one way of determining who is important in my Twitter network.

What language do they speak?
However, you could also focus on language.


Where do they come from?
In addition to that, important Twitter followers can be defined by where they come from. So, let’s say I would like to do some research on topics regarding the USA. Obviously, I would want people from the region telling me what’s going on. Consequently, the country of origin might be the most important factor. Unfortunately, a lot of Twitter users seem to not clarify where they come from – for whatever reason. This is what I found out about my Twitter followers: 104 of 470 followers did not specify where they came from. Furthermore, there were a lot of followers who picked “world” or “Interwebs” as their location which means that I am not able to track it via API. What I do see is that most of my Twitter followers seem to come from Berlin, Bonn, Hamburg, London, etc.

Twitterfied?
The last thing I checked was whether my followers where verified users by Twitter.

Conclusion
I guess there are many ways of defining who is who in your Twitter Network. Let’s not just focus on how many people are following you. Let’s look at who is who, where do they come from, what impact do they have and what criteria you would like to focues on when determining their “value”.

Die Zukunft des Fernsehens

Ok, je mehr man sich mit dem Thema beschäftigt, desto interessanter wird es. Auch in Deutschland beschäftigt man sich mit neuen Formaten und es gibt momentan tolle Projekte, an denen man teilnehmen kann und experimentieren kann. Die Zukunft des Fernsehens kann aus drei verschiedenen Perspektiven betrachtet werden:

(a) redaktionell-interaktive Inhalte
(b) verschiedene Endgeräte und Plattformen
(c) technisch-interaktive Funktionalitäten (z.B. durch soziale Netzwerke)

Eine kleine Zusammenfassung zu dem Thema nochmal hier [ENGLISH]:

Vor allem über Richard Gutjahr’s Plattform “Rundshow” bekommt man ne Menge zu dem Thema mit – O-Ton: “Zuschauer sollen bei der Rundshow auf viele Arten mitmischen können: ein bisschen Facebook, eine Prise Twitter, Input über eine App, der direkte Chat und bei Bedarf noch ein Quentchen “Plus”, Mail darf auch nicht fehlen… Und wir Sendungsmacher wollen den Überblick behalten, tolle Beiträge für alle sammeln, diese auf verschiedenen Wege veröffentlichen und am Ende auch noch ein Best-Of präsentieren.”

Marco Maas’ Beitrag zur Rundshow ist das ultimative “Social Video Event Toolkit”. Die Tagesschau hatte es bereits zu den Berliner Landtagswahlen im Einsatz, aber auch bei TED und N-JOY war es zu sehen. Eigentlich wird damit schon das gesamte Spektrum von Social TV abgedeckt: Dieses Toolkit “kann Beiträge aus diversen Kanälen an einer Stelle bündeln und bietet ein Redaktions-Backend, mit dem diese Beiträge ausgewählt und ausgespielt werden können. Und nicht zuletzt hat SoViET den Anspruch, Sendeformate zu ermöglichen, in denen Live-Video und soziale Netzwerke integriert werden”. VERRY NICE!

Hier wird von Michael Reuter (übrigens auch im Team von Rundshow.de) ein ziemlich cooles Gadget vorgestellt – Tizi (leider noch etwas zu teuer und mit der Antenne sieht das Ding irgendwie aus wie aus dem Jahr 1996, aber es zeigt, wo’s hingeht):

Eine interessante Entwicklung kann man sicherlich bei Zeebox erwarten. Anthony Rose (baute KaZaA und den BBC iPlayer) wird mit seinem StartUp den Social TV Markt wahrscheinlich ein ganzes Stückchen aufregender machen.

Wer sich für coole Web-Videoformate interessiert, die sich inhaltlich nichts vom Mainstream sagen lassen, der schaut auf den neuen Zeit Online Blog: Netzfilmblog. Hier werden Online Filmprojekte wie Arte’s Prison Valley oder PBS’ Off Book vorgestellt, mein Lieblingsformat ist momentan allerdings das hier, das man auch bei Kickstarter unterstützen kann.

The Power Of Data | Radical Punch #1

Google+

UPDATE: just two articles I wanted to share, one by Chris Brogan about 50 things to think about and one by Sean Percival about the Google+ Page concept that is probably anticipated by many companies.

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I know, I know, we have all read and heard about Google+, but Jenny8Lee was kind enough to invite me to Google+ and after a few days of waiting, I am finally on the Google Stream. Jenny8Lee says Facebook should be scared and I absolutely agree.

Poynter poynts out that Google+ will be specifically interesting for news providers once Google+ hits critical mass. Especially the stream functions – similar to Facebook‘s news feed – has potential to become the new go-to-feed for all news necessary. Sparks, something like the social cousin of Google News Alerts, might make my RSS-Reader obsolete since I can use the search-term driven feature to find recommended and personalized content for each „spark.“ Now, I finally understand the +1 button – I really Like that.

Wired says that Sparks and the stream „are designed to be a primary attention-suck of Google users“  and that will work for sure.

Google+ seems to have integrated and combined all the lessons learned from social networking, SEO, Buzz and Wave and seems to be ready for an era of social, people-centric services wanting to communicate with each other.

What do you think of Google+? You can take part in a Mashable poll.

I think Techcrunch puts it best:

You see, the truth is that Google really is trying not to make a huge deal out of Google+. That’s not because they don’t have high hopes for it. Or because they don’t think it’s any good. Instead, it’s because what they’re comfortable showing off right now is just step one of a much bigger picture. When I sat down with Gundotra and Horowitz last week, they made this point very clear. In their minds, Google+ is more than a social product, or even a social strategy, it’s an extension of Google itself. Hence, Google+.

So, let‘s hangout in Circles tell me if you want/need an invite.

Let us Spot.us!

Seriously, I have had at least three (maybe four?) great ideas for documentaries I always wanted to produce but I was never able to afford to go that far, let alone go that far and hire a professional team and buy/rent professional equipment. So, what becomes obvious quite quickly: I never had enough money to produce that one great documentary I always wanted to make (and that one great documentary you’ve always been waiting for – I promise :)).

This is where spot.us comes in. Spot.us, an open-source, non-profit project funded by e.g. the Knight Foundation and devoted to “community powered reporting“,was founded by David Cohn, a Columbia Journalism Scool grad I recently saw on the AJStream. The board of advisors includes e.g. Dan GillmorJay RosenJeff Jarvis, and Jennifer 8. Lee.

How does it work?

On Spot.us, people can have different roles. You can LogIn via Facebook Connect and become a member of the community. Citizens can suggest a story that they find important or interesting. Journalists, on the other hand, can actually submit a pitch. These pitches can be inspired by the citizens’ suggested stories but don’t have to. Once you publish your pitch, there is a reporter’s agreement and private contributors or publishing partners can start funding your project. So far, there are over 10,000 contributors and over 100 publishing partners. You can start browsing through stories pitched by topic (e.g. Race and Demographics, Consumer Protection and Public Health) and you can see stories that are almost fully funded. When a story has been funded, you can even get further involved by donating talent, you can take photos and help report the story.

Important and untold stories

What I love about the idea of spot.us is not only that you can get your ideas funded. I think it is much more than that! The idea of citizen journalism is not new but I think Spot.us takes it to another level by allowing people to come together to create new ideas and go through the whole production process without once having to go outside of the community platform. You can find ideas, stories, contributors and potential donators on that platform.

The Tao Of Journalism

Spot.us practices The Tao Of Journalism. I have never heard of it, so I had to look it up and this is what I’ve learned. The Tao of Journalism Pledge that you can take basically means that you agree to three very simple rules:

  • Transparency (disclose who we are, your journalistic mission and your guiding principles)
  • Accountability (If we get any facts wrong, we will admit that promptly and publicly)
  • Openness (we will be open to contrary positions)

So, tell me about your story, pitch it to Spot.us and I might donate :)

BundlR And Storify – A Quick Comparison

UPDATE: just wanted to update my post: Burt Herman, CEO of Storify, contributed to the comment section and clarified: Storify does have a “bookmarklet and Chrome plugin that can be used to add elements to stories from any web site”. Video can be seen here. Thanks for sharing, Burt. I changed the post (differences) accordingly.

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I already addressed this in my tweet: I am not sure if I can even compare the two services but when Jenny8Lee mentioned BundlR, I immediately thought of Storify.

And here is why I think they are quite similar:

  • BundlR and Storify both allow users to create/narrate stories using other social media services
  • both are determined to create meaning amidst all the media noise
  • they both understand that curating the social web is part of journalists’ future of publishing
  • aggregating and curating is the name of the game
  • require SignOns through social media platforms (Twitter/Facebook)

There are also many differences

  • Process of creating a story
  • in Storify, you basically stay within the site while creating your story (see screenshot below)
  • in BundlR, users add the BundlR toolbar button, then they can surf the web and when they find something interesting, they can add it by clipping the button to the selected bundle
  • Totally different approach and I am not sure which one I like better – on the one hand – having it all on one site has its advantages – on the other hand, when you are on one website and you see that it would be a great part of one of your bundles, you can easily just add that to your story – that would serve Jarvis’ idea of journalism as a process
  • Supported social media platforms
  • to create Bundles: YouTube, Vimeo, Twitter, FlickR, Slideshare, Wikipedia, Scribd, Audioboo
  • to create Storifies (word probably doesn’t exist): Twitter, Facebook, FlickR, YouTube, Storify, Google, RSS, own media uploads
  • Community aspect
  • maybe I just didn’t see but in BundlR, users currently cannot follow other users - this will probably change once they go public but in Storify, it is a nice way of getting all the updates from users you are interested in
  • Writing notes/being part of your own story
  • in Storify, users can moderate the content – that means they can write notes to everything they include (BundlR will add that feature in the future)

Creating a story using Storify

Storify: New story dashboard

Let’s look a little further into BundlR:
So BundlR is in private beta right now. Quite a few features are still missing but I am sure, they will be added very soon. For example, currently, it is impossible to embed a Bundle into an external website – a feature that is needed once users want to share their stories on their own websites.

One quite interesting fact is that Sérgio Santos, founder of BundlR, said that in the future, BundlR considers archiving Bundles (in order to prevent broken links) to become a paid feature due to storage costs. It is an interesting take on business models because here you can understand certain requirements users would be willing to pay for.

At SXSW, this is a keynote by Margot Bloomstein (I love it because it combines two of my favourite artists – what Danger Mouse did was brilliant)

Here are videos about their respective services:

BundlR

Storify

Summary
I was always wondering about the differences between public beta and private beta. Now I understand. While the idea of both services are very much the same, many features are still missing on BundlR. I like the fact that BundlR takes so many different social media platforms into consideration – including scribd, audioboo and slideshare – really makes a difference. On Storify, I like the way the stories are arranged at the end of the story (if there ever is an end). Once you are done, it is fun to go through all the curated videos, quotes from FlickR, etc. On BundlR, I like the mouse-over effect (you should check it out).

I am very excited to see where this is going – the idea of curating the news by going through social media platforms is still quite new – Al Jazeera, Washington Post and others are already using Storify and I am sure that this is one important step towards the future of journalism.

Please tell me what you think, I really want to know. Have you worked with BundlR or Storify? Are there similar services that I need to be aware of?

YouTube Turns 6

Six years ago, a video platform was launched that changed the world. And even though this might sound absolutely exaggerated, I truly believe it did … well, somehow.

What has changed

  • Change of perception towards TV – we’ve all heard the buzz words – Hybridisation of TV and Internet and I think YouTube played a major role in this
  • Leanback TV with interactive features – TV is trying to copy that now – #epicfail #noads
  • We can all be producers – I will forever love YouTube for EpicFuThe Burg and Nikki Jean (of course, YouTube didn’t really have anything to do with the production of these shows, but the fact that all of the sudden everybody was able to share their videos made a difference in my life and YouTube started that for me)
  • Political communication has changed – at least in theory – wzbw.

New stats

While today you can’t really read more than a post about this special day, exactly one year ago, YouTube published a special site celebrating the big FIVE. Everybody was able to tell their individual YouTube stories and they made a big deal out of it with messages from e.g. Conan O’Brian.

Here are a few amazing new statistics that were published earlier today:

  • YouTube users are now uploading 48 hours of video a minute. That’s up 37 percent in the last six months, and 100 percent in the last year.
  • YouTube users are now watching more than 3 billion videos a day. That’s up 50 percent from the last year.

Google’s subsidiary puts it this way:

That’s the equivalent of nearly half the world’s population watching a YouTube video each day, or every U.S. resident watching at least nine videos a day.

They claim that there are three major factors playing a role in this increase: live streaming events, longer upload times and faster upload processing times.

Some memorabilia

The first YouTube video ever uploaded

And this is the classic video uploaded by Steve Chen and Chad Hurley in October 2006, announcing that they’d sold the site to Google

One way how YouTube can lose big time

“DIESES VIDEO IST IN DEINEM LAND NICHT VERFÜGBAR” – oh you don’t know what that means? Well, let me tell you: In Germany, almost all the official music videos by major music companies like … and … will not be displayed due to copyright infringshit. That often leads to frustrating searches on other video platforms for that same content. Usually, I go to Tudou or Youku (Chinese versions of YouTube) but the fact that YouTube hasn’t figured out that access to music is key for success, they will lose their market share in Germany.

HAPPY BIRTHDAY YT

“Is cyber generated change virtual or real?”

A question asked by Al Jazeera’s Marwan Bishara. Whether social networks like YouTube, Facebook and Twitter have become the new vehicle for mass mobilization is subject of this feature. Messages of current events in Egypt and Tunisia first went viral online and documented hundreds of pictures and videos of demonstrations all over the countries.