360 stories I created with Fader

Our tool Fader allows users to create their own 360 stories very easily and fast! In the past weeks, I’ve been able to go to different events/demos/happenings in the city. I brought my 360 camera with me and created the stories on the spot.

Here you can see some pretty intense scenes at the I am Muslim Too Rally two weeks ago at Times Square.

Fader is designed and developed by our startup Vragments, a Berlin based Virtual Reality startup. Vragments is a team of technologists and journalists who are dedicated to bring new ways of storytelling to content producers by providing an easy-to-use VR tool.

You can find more information here:

Vragments project: Disfellowshipped

This story revolves around Debbie McDaniel, an ex-Jehovah’s Witness in McAlester, Oklahoma. With the 360 approach, we give the viewer a more intimate understanding of a character and her experience.

Visitor of our VR pop up studio experiencing Disfellowshipped. Photo credit: Trey Bundy

We have been working with the Center for Investigative Reporting on a first Fader use case. The outcome is incredible: A three episodes long mini VR series about Debbie McDaniel, a “woman with an extraordinary past.”

We were able to start working closely with CIR’s reporter Trey Bundy and senior supervising editor David Ritsher. Trey was working on an investigation into Jehovah’s Witnesses and child sexual abuse claims. This is the story, you can watch it on your Android device or on your desktop browser (try Chrome or Firefox).

Screenshot of 360 experience Disfellowshipped

The reason why Trey was interested in experimenting with an investigative story in VR is because it can

“give the viewer a more intimate understanding of a character and her experience. The technology allows us to put you in the reporter’s shoes, to feel what it’s like to sit with people as they look you in the eye and tell you their story, to visit their towns and the places that affected their lives. In some instances, it becomes a window into a person’s emotional memory.”

During a cold winter weekend in February 2016, Trey met with Linda and Stephan to begin exploring what by now is the 360° episodical Disfellowshipped. They were digging through text pieces, images and audio snippets and trying to align all that into a visual 360° concept. That proved to be a challenge that Trey more than once quoted to be like creating a movie while never having been to a cinema before.

You can find more information here: